So we had our first Thanksgiving in the new house, and didn't invite anyone over. We sat at our real dining table, using our proper crockery and our Waterford glasses (though I was too lazy/busy cooking to go upstairs and fish out the actual cloth napkins; maybe next year). The chicken was moist and tender (but not pink), the roast potatoes were a vision of golden crunchiness, and the vegetable was broccoli because the beans hadn't looked great. Then there was apple pie and custard, and some stilton with cranberries to cleanse the palate. And a nice bottle of red. It was a reasonable, low-key Irish-American Thanksgiving.
Monkey had no interest in partaking, but Mabel downed her chicken enthusiastically and called it pasta. She had more pasta several times.
Earlier in the day, B took Monkey to see
Tangled (the new Disney retelling of Rapunzel) while Mabel napped and I lazed indolently about, before realising that I should probably start cooking because a roast chicken, while not a turkey, still doesn't get on the table in 20 minutes like most of my dinners.
Sadly for B, they had to leave before the film was over, because Monkey wasn't enjoying it. In fact, he was refusing to watch any of it, and had been hiding obsessively behind B's hands since the opening credits. Not the most successful trip to the movies ever, then.
He's been before, to
Toy Story and
Toy Story 3, and enjoyed them both. But in general, I must admit that he's not the most adventurous viewer. (As I type, he's hiding behind my back watching/avoiding an epsode of
Rupert Bear.) I hear of other kids of a similar age who love
Star Wars and even
Star Trek: I can't even get Monkey to see
Finding Nemo - we got it last Christmas; he watched it once and won't let me put it on again because of the sharks. (I had carefully skipped over the traumatic opening scene. I can hardly watch that myself.) Even his once beloved
Little Mermaid is verboten now because the impending scary bits - which he used to just get me to skip over - weigh on his mind so heavily that he can't stand the tension of the in-between parts.
Cars is the only film he's ever watched from beginning to end (once or twice or three million times in the past year), and I have to give it kudos for having no scary parts at all. His father is waiting impatiently for the day he can show Monkey the
Indiana Jones trilogy, but so far, no dice.
In fact it seems, in some ways, that our little rough-and-tumble bruiser is - dare I say it - sensitive. I know other boys far quicker to cry at a physical injury, more likely to protest their mother's leaving the classroom of a morning with a tear in their eye, generally giving off a far wussier vibe; but for all his bravado, Monkey has a soft, squishy interior, and I think finding stories and films scary probably goes along with his vivid imagination and rich internal monologue. (That's what I call it when he spends a good five minutes making his index fingers argue with each other about who gets to flush the toilet.)
On the other hand, maybe it doesn't mean anything. As a teenager I spent plenty of time trying hard to believe I was the sensitive, highly spiritual, artistic type. Also, willowy, slender, and ethereal. This was all about as true as you might imagine for a kind of square-shaped (at least in my school uniform) eminently sensible pragmatist. I blame
Anne of Green Gables.
In my 20s, when I briefly held a low-level managerial position that put me supervising five or so of my peers, it soon became clear to me that I tended more toward the rhino-hided than the thin-skinned. I had to run things by my more-feeling best-friend/colleague to make sure I wasn't going to upset people; and even then, on occassion someone would come to me in tears after a staff meeting because my throwaway comment about a new project keeping them busy had apparently made it sound as if they were a bone-idle waster the rest of the time. (For instance. Ahem.)
And yet, I hate scary movies too. I've never watched a bone fide horror, and even thrillers have to be, well, worked up to a bit. I am adept at looking away and humming just when the gory scene happens in, well, anything. I did
not like the end of
Braveheart, and not just because I was sick of Mel Gibson and blue paint by then. So maybe there's hope for Monkey in this hard-as-nails world after all. Still, I fear for his teenage years and his heart which will get stomped upon and broken into a million pieces by some unthinking girl who hasn't noticed his devotion.
Ah, it's all ahead of us. What a thought.